Link utili
Master di I Livello: InMICS
ACADEMIC CALENDAR
The 2026/27 academic year in Italy starts in November 2026 and ends in October 2027.
Usually, InMics courses run from the beginning of November to the end of July.
EXAM PERIOD AND DEADLINE FOR REGISTRATION
SUMMER from 06/01/2027 to 07/09/2027 – DEADLINE: May 22, 2027
AUTUMN from 10/04/2027 to 10/30/2027 – DEADLINE: October 2, 2027
WINTER (for 2026/2027) from 02/24/2028 to 03/11/2028 – DEADLINE: February 12, 2028
It’s possible to do the registration for A.A. 2026/2027 following the instructions reported on the attachment below.
Deadline: from 10th to 20th July 2026
CHOICE OF COURSES: within August 17th, 2026
The international Master in Composition for Screen (InMICS) is a joint master’s degree program dedicated to international students wishing to work as composers for audiovisual media.
InMICS was created through a partnership of European higher art education institutes:
–Â CNSMDÂ in Lyon (France)
– Conservatorio di Musica G.B. Martini in Bologna (Italy)
–Â KASK & Conservatory (HOGENT)Â in Ghent (Belgium)
The program spans two years, during which students study at two of the three partner institutes. Candidates have the opportunity to indicate their preferences for the institutes where they would like to study. Each participating school offers a specific teaching approach to composition for visual media, with a focus on the medium and professional perspectives:
– CNSMD de Lyon: Scoring for Screen.
– Conservatorio “G.B. Martini” Bologna: Mixed Composition for Screen.
– KASK & Conservatory (HOGENT) in Ghent: Musical Theatre and Media Arts.
This setup provides students with the ideal opportunity to fulfill their personal objectives and advance their professional perspectives.
Requirements in brief:
– A bachelor’s degree in music or its equivalent is required.
– Proficiency equivalent to a B1 level in English is required. The program will be taught primarily in English, with the exception of a few optional courses offered in the language of the country of one of the three institutes: Italian, French, or Dutch. Language proficiency will be assessed during the application interviews.
– There is no age limit.
Please visit the official InMICS website for more general information and to apply for the next intake.
For tuition fee for 2026-2027 visit INMICS .
INMICS in Bologna
The Bologna Conservatory offers a program focused on mixed composition for media arts, with a particular emphasis on experimental cinema, video art, art documentaries, sound installations, and interactive multimodal live performances.
Students in this program are exposed to and confronted with a wide variety of languages, techniques, technologies, and artistic expressions. Preferring an empirical, hands-on approach that looks at contemporary production methods, students in this program are stimulated in composing, mixing, designing, and arranging their own music and sound assets.
Along with the collaboration between the Conservatory and various institutions, this prepares students for various professional fields where sound and music form essential components, calling for the creation of highly personal and high-quality music, soundscapes, and sound design.
Courses Description
Teachers’ Bio
Studying in Bologna
Partnerships:
The Bologna Conservatory has established collaborations with two film institutions of national and international significance: the Cineteca di Bologna Foundation and the Home Movies Foundation. The core principle of these collaborations is to involve students in concrete projects that vary from year to year, exposing them to real-world production challenges.
Basic info
– Main classes location: Bologna Conservatory of Music, piazza Rossini 2, Bologna
– Special classes can be held in the headquarters of the partner institutions
– Please note: The academic year in Italy starts November 2nd and ends June 30th.
– Timetable of the class activity: from Monday to Saturday
More information and details about InMICS (course descriptions, student profiles, presentations of institutional partners, application procedures, etc.) can be found on www.inmics.org.


Piano Studi
| AREA | DISCIPLINES | ETCS (CFA) | HOURS | TYPE OF LESSONS | VALUTATION | |
| FIRST YEAR COURSE - CFA: 60 | ||||||
| COME/02 (Composizione audiovisiva integrata) | Electronic Composition for Media Arts | 15 | 60 | Individual | ||
| CODC/02 (Orchestrazione e arrangiamento) - CODC/02 (Composizione per la musica applicata alle immagini) | Scoring / Arrangement | 4 | 30 | Collective | ||
| COME/05 (Campionamento, sintesi ed elaborazione digitale dei suoni) | Music Technology | 3 | 20 | Collective | ||
| COME/05 (Campionamento, sintesi ed elaborazione digitale dei suoni) | Analog and Digital Synthesis | 3 | 20 | Collective | ||
| COME/04 (Tecnologie e tecniche della ripresa e della registrazione audio) COME/04 (Tecnologie e tecniche del montaggio e della post-produzione audio e audio per il video) | Recording Technologies | 4 | 30 | Collective | ||
| CODM/04 (Storia della musica applicata alle immagini) | Film (music) History | 3 | 18 | Collective | ||
| Analysis from musical and audiovisual perspective | 3 | 18 | Individual | |||
| Research Methodology | 4 | 24 | Collective | |||
| Internship | 9 | Collective | ||||
| Master-classes and seminars | 3 | |||||
| Elective course (2 out of 3) | COME/02 (Composizione musicale elettroacustica) | Electronic Music Composition | 3 | 18 | Collective | |
| COME/01 (Esecuzione e interpretazione della musica elettroacustica) | Live Electronics for Moving Image | 3 | 18 | Collective | ||
| COME/02 (Composizione musicale elettroacustica) | Sound Design Techniques | 3 | 18 | Collective | ||
| AREA | DISCIPLINES | ETCS (CFA) | HOURS | TYPE OF LESSONS | VALUTATION | |
| SECOND YEAR COURSE - CFA: 60 | ||||||
| COME/02 (Composizione audiovisiva integrata) | Electronic Composition for Media Arts | 24 | 60 | Individual | ||
| CODC/02 (Orchestrazione e arrangiamento) - CODC/02 (Composizione per la musica applicata alle immagini) | Scoring / Arrangement | 4 | 30 | Collective | ||
| COME/05 (Campionamento, sintesi ed elaborazione digitale dei suoni) | Music Technology (advanced) | 3 | 20 | Collective | ||
| COME/05 (Campionamento, sintesi ed elaborazione digitale dei suoni) | Analog and Digital Synthesis | 3 | 20 | Collective | ||
| COME/04 (Tecnologie e tecniche della ripresa e della registrazione audio) COME/04 (Tecnologie e tecniche del montaggio e della post-produzione audio e audio per il video) | Recording Technologies (advanced) | 4 | 30 | Collective | ||
| COCM/01 (Diritto e legislazione dello spettacolo) | Professional Toolbox | 3 | 18 | Collective | ||
| Masterclass | 3 | |||||
| Thesis | 10 | |||||
| Elective course (2 out of 3) | COME/02 (Composizione musicale elettroacustica) | Electronic Music Composition | 3 | 18 | Collective | |
| COME/01 (Esecuzione e interpretazione della musica elettroacustica) | Live Electronics for Moving Image | 3 | 18 | Collective | ||
| COME/02 (Composizione musicale elettroacustica) | Sound Design Techniques | 3 | 18 | Collective | ||